Previous iterations of the codec narrative have produced predictable outcomes with incremental efficiency gains, gradual deployment, and long-tail coexistence with previous standards. The same is ...

We asked a sampling of industry engineers and users for their perspectives on the evolution of codec designs and applications ...

The draft specs of AV2, the codec that is set to replace the currrent AV1 codec, recently had its draft published online.

After 5 years of work and over 2700 commits against the reference software, the Alliance for Open Media (AOMedia) has ...

Adopting a new codec standard is a complicated task. The timeline for getting up to speed is so long that once you’re there, the industry very well might be looking at the next generation of codecs ...

According to research published by InterDigital, the broadcast industry could see standardisation of a brand new codec by 2028/2029. In its report, Media over Wireless: Networks for Ubiquitous Video, ...

As much as we love debating the pros and cons of new codecs like AV1, VVC, and LCEVC, independent premium-content publishers have largely ignored them. Take Alliance for Open Media (AOMedia) founding ...

The IETF has standardized the Opus lossy audio codec as RFC 6716. While most audio codecs aim to solve specific problems—relatively high bit-rate music reproduction such as AAC and MP3, low latency ...